Bd. 13 (2009)

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Inhaltsverzeichnis

Aufsätze

Introduction
Susan McReynolds
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Dostoevsky’s Religion: Words, Images, and the Seed of Charity
Carol Apollonio
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Who Says Mirades Can’t Be the Basis for Faith? More Reasons Why Dostoevsky’s Religion Isn’t Christianity
Steven Cassedy
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“The Dream of a Ridiculous Man”: Christian Hope for Human Society
Gerald J. Sabo
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Christianity as Active Pity in Crime and Punishment
Lyudmila Parts
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Hesychastic Ideas and the Concept of Integral Knowledge in Crime and Punishment
Olga Stuchebrukhov
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On Serfdom, Sickness, and Redemption: The Peter the Great Subtext in Crime and Punishment
Clint Walker
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Dostoevsky, Women, and the Gospel: Mothers and Daughters in the Later Novels
Katherine Jane Briggs
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Dostoevsky’s Christ and Silence at the Margins of The Idiot
Nariman Skakov
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Bibliographie

Current Bibliography 2009
June Pachuta Farris
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Rezensionen

Susan McReynolds: Redemption and the Merchant God. Dostoevsky’s Economy of Salvation and Antisemitism. Evanston, Illinois: Northwestern University Press, 2008.
Rudolf Neuhäuser
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Susanne Fusso: Discovering Sexuality in Dostoevsky. Evanston, Illinois: Northwestern University Press, 2006.
Carol Apollonio
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Robert Louis Jackson: Vision in Darkness. Introduction to Fyodor Dostoevsky: Notes from Underground and The Double. London, New York: Penguin Classics, 2009.
Horst-Jürgen Gerigk
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Horst-Jürgen Gerigk, Rudolf Neuhäuser: Dostojewskij im Kreuzverhör. Ein Klassiker der Weltliteratur oder Ideologe des neuen Rußland? Zwei Abhandlungen. Heidelberg: Mattes Verlag 2008.
Agnes Dukkon
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Dunja Brötz: Dostojewskis „Der Idiot“ im Spielfilm. Analogien bei Akira Kurosawa, Saša Gedeon und Wim Wenders. Bielefeld: transcript Verlag 2008.
Horst-Jürgen Gerigk
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